BEN WALSH and the ORKESTRA OF THE UNDERGROUND 'FANTASTIC PLANET' |
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The Event: The Film: |
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REVIEWS |
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‘..Walsh has flawlessly distilled the essence of a sound manifested perfectly through the instrument, whether it is evocative piano melodies, the bending wail of the soprano sax, the outer-worldliness of the Sitar player.’
…..TIME OUT, Sydney ‘….Ben Walsh's score combined beats, horns, sitar, synth, tabla, strings, Indian vocals, guitar, decks and junk percussion to dissonant effect. Its throbbing, retro-futuristic vibe seemed to create an eerie portal through time. Backed by Walsh's hallucinatory rhythms, the film was met with shocked silence and admiration. Indifference to this out-of this-world production was hardly an option…’ ....TIME OUT, Sydney ‘Sydney Festival [IINET] Films Afloat saw a sizable crowd migrate to Darling Harbour to hear the haunting drumming of Ben Walsh, a Newtown icon and one of Sydney’s best, most progressive and experimental percussionists. The live score composed by Walsh involved a plethora of instruments from accordion to Sitar to strings, cymbals, a full horn section, live Indian vocals, a DJ on decks and synthesizers complementing the dulcet tones of Bosnian gypsy opera. The floating screen housed an eclectic collection of Sydney’s best musicians giving it their all, each instrument was perfectly synchronized to create the exact ambience needed. Imagine [if] The Bird, Hermitude, The Crusty Suitcase Band, Ponyclub Massacre all produced an illegitimate offspring: this gig would be it. [It was] a seamless blend of composition, live music, animation, percussion and film. And free! ….MUSICFEEDS.COM.AU SYDNEY FESTIVAL HIGHLIGHT: IINET FILMS AFLOAT Sydney-based musician Ben Walsh (The Bird, Circle of Rhythm, Tom Tom Club) is composing the score for the Fantastic Planet screening, and he has brought together an eclectic group of Australian musicians (including Sarangan Sriranganathan and musicians from The Bird, Hermitude, Ponyclub Massacre, The Crusty Suitcase Band) to perform it with him. Ben says he’s worked with all of the musicians in different capacities before but this is the first time he’s united them as what he calls The Orkestra of The Underground. With horns, sitar, synthesisers, drums, tabla, strings, Indian vocals, guitar, Bosnian gypsy opera, decks and junk percussion, they are sure to add a whole new dimension to the film. “I’m used to the music being the primary focus of my projects but when you write music for a film or for theatre/dance you’re adding a secondary element,” says Walsh. “Writing the score over the last three weeks I’ve ended up enhancing the emotions of certain scenes, giving tension or intensity to new parts. It changes the way you write music as a whole and that's refreshing to me. |
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COMPOSITIONS, SOUNDTRACKS and THEATRICAL WORKS: |
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2009 2008 2006
CIRCUIT BREAKER / composer + performer 2004
DOUBLE HAPPINESS / Curator EACH GRAIN OF RICE / Composer 2002/3 TWO / composer DIVINE HARMONIES / composer IN THE FRAME / Composer FIRST SOUND / Composer + Performer DANCE TRACKS 3 / Composer 2001 WHERE THERE’S ONLY / Composer SWERVE / Composer + Performer 2000 |
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